NOCTURNE
As I was finishing this painting, I had one of the most primal painting experiences of my life. To get the phosphorescent pigment in the right places, I had to work in total darkness, so I put the painting in a darkened room and turned the lights on and off to align the glow in the dark pigment with the lightning bug images. To create the luminous clouds of fireflies I dipped my hands in the phosphorescent paint and massaged the pigment into the coarse linen. As I was sculpting the air with swirls of light I had a flashback to childhood -- lightning bug face paint! When viewed in total darkness, this painting looks like a representation
of outer space. In half light the garden scene is still visible and
the fireflies glow with eerie naturalism.
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